Monday, May 12, 2008

Episode 68, Some Assembly Required

Episode 68, Some Assembly Required

01 Escape Mechanism - "Draining"
02 The Coherent Encoherence - "A bell shall ring"
03 Beyond There - "The positive step"
04 The Plagiarist - "Louisiana cookin'"
05 Wet Gate - "(Performance excerpt)"
06 The Plagiarist - "Creature"
07 Dad's New Slacks - "144 arguments for the elimination of television"
08 Platzangst - "I can't do it (again)"
09 The Plagiarist - "Fernando"
10 The Tape-beatles - "I can't do it"
11 Splatt - "Rockin' teenage combo"
12 The Evolution Control Committee – “Toot”
13 The Evolution Control Committee - "Don't miss the great snatch"


Use this address, for your pod software:
http://feeds.feedburner.com/some-assembly-required/JSpD

New episode on the way

Never fear - a new episode is on the way! I've been out of town this week and the next couple of episodes are on my home computer, so I can't upload them from the road, as I had planned (oops). Stay tuned for this week's episode featuring our interview with Wet Gate's Owen O'toole.

Thanks!
Jon Nelson

Saturday, May 03, 2008

Stark Effect

Stark Effect

Stark Effect is California's Dr. David Dixon. He's a lecturer in physics at California Polytechnic State University and a member of the Snuggles Collective. His work has been included on compilations such as Boom Selection's "Never Mind the Bootlegs" and Free Speech For Sale. He's been featured on The Dr. Demento Show and XFM, and does everything from dictionaraoke tracks and mashups to sound collage and "mic in" tracks. Check out his website for more information and lots of free downloads.

Without further ado, here's the SAR Q&A with Stark Effect...


*Name: Stark Effect

*Members: Stark Effect is just me, David Dixon.

*Tape manipulations, digital deconstructions or turntable creations: Everything I do could be done by anyone with a PC, the appropriate software, and a keyboard acting as a MIDI controller. And an idea.

*Is there a story behind your name? Since I'm a physicist by training, I figured I should have a physics-oriented band name. I briefly considered calling myself the "Bersenheig Unprinciply Certaintle,” but thought it too abstruse. I settled on "Stark Effect" because it actually describes a physical phenomenon, namely the shift of electronic energy levels of an atom under the influence of a static electric field (named for Johannes Stark), but also because "stark" can be interpreted as "harsh" or "blunt.”

*Location: Los Osos, CA

*Original Location: I was born and raised in southeastern Wisconsin, near Milwaukee.

*What is your creative/artistic background: I wrote my first song when I was 6, on an air-driven organ that had special keys for playing chords. Early songs had titles like "Mellow-Dee.” Dr. Demento's show had a huge influence on me, to the extent that my first username on BBS's (bulletin board systems, for you young'uns) was "Mr. Parody.” I wrote "In The Gravy" to the tune of The Village People's "In The Navy."

*History: I listened to a lot of "new age" music (Vangelis, Jarre, etc.) during my formative teens, and had a series of Casiotone keyboards that got a lot of attention. My first formal lessons came in college, when it was already too late. During my first year of grad school, I recorded a tape of my own instrumentals (played on a Kawai K-4, which I still have), and shopped it around to various new age labels. I still have the rejection letters, somewhere.

*Born: April 7, 1970

*Motivations: What motivates me is that I want people to have an emotional connection to what I do. When you make a mix tape for a friend, you choose the tracks that convey beauty, or longing, or sadness, or jubilance, or surrealistic "what-the-f***?" I choose samples the same way. My primary influences are twofold: Steve Reich and Negativland. Steve Reich's "Different Trains,” using samples of Holocaust survivors as musical instruments, totally rocked half of my world when I first heard it in the early 90's. Negativland's collages rocked the other half. I bought a sampler and did some rudimentary explorations (which can be heard on my website, under "juvenalia"). These artists opened me up to using human speech as a musical element, which is what the Stark Effect tracks are all about. The "mic in track" songs, recorded between 2001 and 2004, are the best things I've ever done. I haven't been artistically active for a couple of years, because I feel like I've taken the "mic in track" idea as far as it needs to go. I have no immediate plans to make new music.

*Philosophy: The mathematician Carl Gauss had this as his motto: "Few, but ripe."

*How would you like to be remembered: I'd like to be remembered as someone who'd be memorable.

*Web address: All of my music can be downloaded for free at:
http://stark-effect.com


www.some-assembly-required.net

Episode 67, Some Assembly Required

Episode 67, Some Assembly Required

01 Stark Effect - "Gonna make you stupid"
02 Steev Hise - "Finale from Requiem for (un)dead popstars"
03 People Like Us - "Snippy"
04 The Beige Channel - "It happened"
05 Negativland - "Cityman"
06 V/VM - "The lady in red (is dancing with meat)"
07 Quahogs - "Smooth window"
08 Stop Children - "Medicine head 24 hour"
09 Steinski - "Lolita (burning mix)"
10 Steinski - "Hot spot (Terrible love mix)"
11 Stark Effect - "Armour hot kids"
12 Wobbly - "Wild Why (track 1)"
13 Wobbly - "Wild Why (track 2)"
14 Wobbly - "Wild Why (track 3)"
15 Conway - "Lisa's got hives"
16 Lecture on Nothing - "Customs (Other people)"


Use this address, for your pod software:
http://feeds.feedburner.com/some-assembly-required/JSpD

Sunday, April 27, 2008

Value Village People

Value Village People

In a live context, Value Village People are Canadians BLeeK Swinney and Luke Meat (It's all BLeeK in the studio). Luke also hosts the radio program ANoiZE, at CiTR (101.9 FM) in Vancouver, where he serves as the station's Music Director. BLeeK is the man behind the curtain at online radio stations Exquisite Corpse and 80's Seattle radio station tribute, KJET, as well as the broadcast version of Exquisite Corpse, which airs Thursday (7:30-9PM), also at CiTR.

BLeeK is also editor of Speck Fanzine and part curator of "24 Hours of Radio Art," an annual day-long subversion of the usual programming at CiTR, in which the station plays nothing but radio art for an entire 24 hours.

Value Village People have at least four records, at least one of which is available to download at their website. You can hear specific tracks at their Myspace page as well. Without further ado, here's the SAR Q&A with BLeeK of Value Village People...


*Name: Value Village People

*Are there any additional names used to describe this project: Not really, no.

*Do you use a pseudonym? Yes. I go by BLeeK but my given name is Kerry.

*Members: BLeeK Swinney and Luke Meat. For the recorded works it's been just me, though my buddy Luke Meat supports me very well for live events.

*Founding Members: BLeeK.

*Tape manipulations, digital deconstructions or turntable creations: Digital Deconstructions, I guess.

*Another genre descriptor: I've called my stuff "Plunderfunny" and "Avant Tard" (akin to Vicki Bennett's "Avant Retard").

*Is there a story behind your name? Ours is the BEST name in the genre, hands down. "Value Village" after the second-hand-store chain, which recalls where one finds some of our source material and the recycled nature of sound "sampling,” and "Village People" for the obvious musical band reference and elements of campiness. "Value Village People" as a whole sounds perhaps like a low-rent Village People, as well as plundering two well-known names.... It works on many levels.

*Location: Vancouver BC Canada.

*Original Location: BLeeK is from the Tacoma/Seattle area and Luke Meat comes from Red Deer, Alberta.

*What is your creative/artistic background: BLeeK has an Associate of Arts degree and 24 years of independent radio broadcasting.

*History: BLeeK and Luke realized a bizarre commonality while mixing noise together for 24 Hours of Radio Art, in 2001. We had previously created murky industrial/noise tracks years before meeting.

*Born: BLeeK was born in McMinnville, Oregon. I think Luke was born in Red Deer, Alberta.

*Motivations: Good question. Ultimately, I think I'm a pretty pessimistic person and I make this type of "music,” funny or creepy, as a release. A kind of therapy. Plus, I have to be entertained by it for a long time after it's made or it’s not worth making. My friend Alison Benjamin said the VVP CDs give her nightmares and that's kind of where they may come from as well. Many of the tracks which sound evil or misogynistic or cruel are responses to my horror or sadness about current events and ignorance. I'm actually one of the kindest people you'll ever meet. Some other tracks like "A Dead Child Shall Lead Them (Full Moon)" are only meant to sound beautiful and are also a tribute to Tones on Tail, a favorite of mine for many years.

*Philosophy: If I'm making the tracks to appeal to someone besides myself, no one will want to hear them. And... Nothing is gonna save us now.

*How would you like to be remembered: A sensitive, weird and creative person that never grew up.

*Web address: http://members.shaw.ca/ecorpse


www.some-assembly-required.net